Watch Privates on Parade Online
With this star-studded cast: Patrick Pearson, Michael Elphick, Joe Melia, John Standing, Nicola Pagett, you can’t help but enjoy Patrick Pearson ’s performance. I’m a movie buff, and I think this may be one of my favorite movies.
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*** watch What Lies Beneath!! ***
This is a great movie! Probably one of my favorites. Ray Baker does a great job, If you’re a fan, and you haven’t seen this movie – watch it now!
Don’t know what it’s about?
In this exciting supernatural thriller, Harrison Ford and Michelle Pfeiffer play a seemingly happily married couple who uncover a terrible secret a secret so disturbing it threatens to destroy them.
When Claire Spencer begins seeing ghostly images and hearing mysterious voices in their home, her husband Norman suspects it’s just her imagination – until the images turn real. Now, together they must uncover the truth, confront their worst fears and find “what lies beneath” with twisting and terrifying results.
Thought you might like to know the best place to watch Lorenzo’s Oil online. This is THE place taking the Internet by storm. Check it out for yourself right now – you can thank me later.
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With this powerful 1992 drama, director-producer George Miller (The Road Warrior) proved that a movie about a disease doesn’t have to be a typical disease-of-the-week movie. Based on the real-life case of the Odones family, the story concerns 5-year-old Lorenzo, suffering mightily from an apparently incurable and degenerative brain illness called A.L.D. His parents, an economist (Nick Nolte) and a linguist (Susan Sarandon), refuse to accept the received wisdom that there is no hope, and set about learning biochemistry to pursu a cure on their own. The film becomes an intriguing scientific mystery mixed with a story of pain, grief, and the strain on the two adults. In other words, Lorenzo’s Oil is similar to all those medical-mayhem TV flicks but with some key differences: a pair of great actors in Sarandon and Nolte–who actually do some of the finest work of their careers here–and Miller’s bold and typically inventive direction. Miller, a doctor himself, refuses to shirk from the chaos and horrors of a child’s agony, and he makes us hear the death chains rattling behind images that would be purely sentimental in another director’s hands. –Tom Keogh
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*** The Rutles – All You Need Is Cash playing NOW!! ***
This is a great movie with Dan Aykroyd, Terence Bayler, John Belushi, Jeannette Charles, Ricky Fataar
Basically it’s about:
Originally hatched in 1978 as a short film parody for Saturday Night Live, this expanded, 70-minute mockumentary on a trend-setting quartet of British mop-tops bloomed into one of Eric Idle’s better projects outside Monty Python. Taking the career (and hagiography) of the Beatles and inverting them quite nicely, Idle conjures up four doppelgangers who offer the familiar mannerisms but practically none of the intelligence of their models. If that sounds like the same gag that powered This Is Spinal Tap (which emerged six years later), it is, with the crucial difference that Idle’s lampoon is precise where Tap was consciously generic.
In telling the saga of the Rutles, Idle (who doubles as earnest narrator and McCartney-esqu Rutle Dirk McQuigley) works from a rich and immediately familiar trove of pop lore, and he has a ball revisiting and reinventing milestones from the Fab Four’s fabled history. The attention to period detail helps elevate the gags further, but Idle’s real secret weapon is Neil Innes, standing in as Ron Nasty, the Rutles’ answer to John Lennon: it’s Innes who serves as the musical architect for the wonderful Beatles parodies that give All You Need Is Cash a delicious kick, and Innes, a one-time principal in the legendary Bonzo Dog Band, is gifted enough to capture the band’s lyricism and energy as well as their shifting sense of style.
With the blessing and on-camera participation of George Harrison, and wry cameos from Mick Jagger and Paul Simon, All You Need Is Cash is a perfect companion to the Beatles’ own glorious screen comedies and a great antidote to sanctimonious pop documentaries. –Sam Sutherland
While I’ve watched The Rutles – All You Need Is Cash a lot, it seems to never get old. I guess it’s one of my favorites. If you haven’t seen it, or just haven’t watched it in a while – why not watch it now? Of course you can watch it later – for free – check the image above to see how. It’s the best way I’ve found
Thought you might like to know the best place to watch The Parson’s Widow : Three Films by Carl Theodor Dreyer online. This is THE place taking the Internet by storm. Check it out for yourself right now – you can thank me later.
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One of the world’s greatest directors, Carl-Theodor Dreyer has long been hailed for such masterpieces as The Passion of Joan of Arc, Vampyr, Day of Wrath and Ordet. Now we meet a different Dreyer who engages with broad humor, then gradually guides to a wise, bittersweet resolution. Aspiring parson Sofren is engaged to Mari, but her father won’t allow them to marry until Sofren gets a ministry. He’s hired by a small rural congregation only to discover that according to local custom, the widow of the deceased pastor may marry his successor. An aged woman who has already buried three earlier husbands, Dame Margarete asserts her right in order to keep her home, but Sofren also brings Mari to the parish claiming that she is his sister. The two plan to wait for the elderly woman to die. When it appears she might be eternal, Sofren begins a series of silly pranks to hasten the old lady’s end, but before her death her wisdom, dignity and selflessness teach the young couple a great deal about fundamental humanity. Called “the first real Dreyer film,” The Parson’s Widow (aka The Witch Woman) prefigures key themes in his later work. Beautifully photographed in the 17th-century museum village of Lillehammer, Norway, the film’s original luminous quality is captured in this digitally mastered edition from a 35mm camera-negative print. Plus two rare Dreyer shorts! They Caught the Ferry (1948, 12 mins.) adapts the techniqu of Dreyer’s horror/fantasy Vampyr to a chilling and unforgettable miniature on driver safety. Thorvaldsen (1949, 11 mins.) uses the long lenses and confrontational style of The Passion of Joan of Arc to illuminate the search for truth in the work of the greatest Danish sculptor, which turns out to have a surprising affinity with Dreyer’s own cinema. All three films digitally mastered from 35mm archive prints. The Parson’s Widow is speed-corrected and tinted, with new music compiled by Neal Kurz from the works of Edvard Grieg.
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Watch A Woman Is a Woman online!
^^^ Click the Image above to watch A Woman Is a Woman now!!^^^
Do you like Jean-Claude Brialy? If you do, then you’ll LOVE A Woman Is a Woman!
Amazon has a great deal on A Woman Is a Woman here
If you haven’t heard of A Woman Is a Woman, here’s a quick plot:
One of the landmark early films of the French New Wave, director Jean-Luc Godard (Breathless) weaves a tale of desperation and deceit. Anna Karina (Vivre Sa Vie) plays a stripper determined to have a child in the hopes that it will better her life. She tries in vain to convince her rough, selfish boyfriend (Jean-Paul Belmondo) to father the child, but he refuses. In desperation and sparked by anger she turns to his best friend to father the child, setting off a new round of recrimination and betrayal. Une Femme Est une Femme is one of Godard’s first films and essential viewing for fans of the Nouvelle Vagu, to chart the beginnings of the detached mood and style that influnced a coming generation of films. –Robert Lane
Lamerica
If you’re into Enrico Lo Verso like I am, you’re going to love this movie!
Upstaging the neorealist masterworks of Rossellini and Bertolucci, Gianni Amelio’s Lamerica triumphs. A visually arresting tale of moral conflict and the journey that leads to atonement, Lamerica has been hailed by critics everywhere as one of the best films of this past decade.
After nearly half a century of communist rule, a poverty stricken Albania falls subject to the invasion of two exploitive capitalists looking to prosper within the changing economy. As Albania’s people try desperately to flee destitution, Gino (Enrico Lo Verso) and Fiore arrive from Italy with plans to use a makeshift manufacturing plant to front their next scam. Forced to name an Albanian citizen as their company’s acting “chairman,” Gino and Fiore turn to Spiro-a prisoner of war for over fifty years, Spiro emerges as the perfect pawn. However, when Spiro suddenly disappears, Gino finds himself on a journey that will ultimately reshape the integrity of his soul. Beautifully photographed in Cinemascope, Lamerica has garnered director Gianni Amelio (Stolen Children and Open Doors) with a record third consecutive Felix Award for Best European Film.
you can get Lamerica through Amazon here
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*** watch Paradise Lost – The Child Murders at Robin Hood Hills!! ***
One of the most influntial documentaries in recent years, the Sundance favorite PARADISE LOST is an emotionally raw, must-see crime doc from two of today’s most exciting filmmakers–Joe Berlinger and Bruce Sinofsky (the team behind Metallica: Some Kind of Monster, Brother’s Keeper). This dark odyssey began with the tragic murders of three 8-year-old boys, whose bodies were discovered in a shallow creek in West Memphis, Arkansas. The community demanded justice, and one month later the police delivered: three local teenagers accused of sacrificing the boys as part of a Satanic ritual. Despite overwhelming public antipathy towards them, defendants Damian Echols, Jason Baldwin, and Jessie Misskelley steadfastly maintained their innocence. Although the trial produced virtually no physical evidence connecting the defendants to the crime, the town, the jury, and the police felt that they had their killers, and used the young men’s penchant for heavy metal music and black clothing and a fascination with the Wicca religion as evidence of their guilt. With unprecedented access to all the players, Berlinger and Sinofsky captured the events as they unfolded before their cameras. From actual courtroom footage and clandestine jailhouse interviews to behind-the-scenes strategy meetings and intimate portraits of grief-stricken families, PARADISE LOST is a shocking yet uniquly American real-life drama. DVD Features: Exclusive Trial Footage; Timeline of Events; Trial Updates; Theatrical Trailer; Filmmaker Biographies; Interactive Menus; Scene Selection
*** watch Tom Green: Inside and Outside the Box now!! ***
One of Tom Green’s best movies. If you haven’t seen it yet, there’s no time like the present! If you’ve already seen it, it’ll be even better this time!
There isn’t an “extreme” comedian or comic troupe that doesn’t owe a debt to Tom Green, the original prankster, who fathered the genre back in th’ day at a community access channel in his home town in Ottawa. It soon grew to a national hysteria when the show found a home on Canada’s Comedy Network in 1997 and from there his star was sprung or flung around the world. This three-disc set looms as the definitive look at the complete catalogu of twenty six classic Tom Green Show episodes plus over an hour of never before seen bonus sketches and studio bits. And then there’s Green himself, waxing the hood of this digital Slutmobile with a scintillating commentary. REDUCED 7/13
While I’ve watched Walt Disney Treasures – Mickey Mouse in Living Color, Volume Two a lot, it seems to never get old. I guess it’s one of my favorites. If you haven’t seen it, or just haven’t watched it in a while – why not watch it now? Of course you can watch it later – for free – check the image to see how. It’s the best way I’ve found
*** Walt Disney Treasures – Mickey Mouse in Living Color, Volume Two playing NOW!! ***
This is a great movie with Wayne Allwine, Russi Taylor, Kelsey Grammer, Jim Cummings, Bill Farmer
Basically it’s about:
The celebration of Mickey’s color capers continus in this second volume of shorts — from “Society Dog Show” in 1939 to his last short, “The Simple Things,” in 1953 — and feature film appearances, giving you a decidedly colorful history of the most famous mouse in the world. This outstanding review of Mickey’s color career spotlights some very special features, including his groundbreaking performance in “The Sorcerer’s Apprentice.” You’ll also get an inside look at Mickey’s recent career through the eyes of his most recent animators, Mark Henn and Andreas Deja, and voice actors Wayne Allwine (Mickey) and Russi Taylor (Minnie). Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.